Seeing a cute couple, and thinking: “I want a relationship like that.”
The original story of the little mermaid is that she must kill the prince in order to be human, and in the end, she loves him too much and kills herself instead.
The artwork is too great not to reblog.
Ok, ok - important expansion: she only has to kill the Prince because the deal was if he fell in love with her she could be human forever, and he didn’t. By which I mean, he was a good person and genuinely nice to her, but he didn’t fall in love. He fell in love with someone else, also perfectly nice - not the seawitch in disguise, fu Disney. The Mermaid is told she can only return to the sea now if she kills the Prince. She goes into the room where he and his lover lie sleeping and they look so beautiful and happy together that she can’t do it.
That’s why she kills herself. And because it was a noble act she returns to sea as foam.
One moral of the story was that women shouldn’t fundamentally change who they are for love of a man, and in theory Han Christian Anderson wrote it for a ballerina with whom he fell in love. She was marrying someone else who wouldn’t let her dance.
I want this painted on my wall.
Anya Gallaccio - Red on Green, 2012
“Red on Green will see the decay and destruction of 10,000 red roses laid in a field upon the gallery floor.
Fragrant, soft and velvety, the voluptuousness of the roses en masse evokes romance and decadence that is slowly allowed to blacken like scabs and die. The thorns and stems, which will be underneath the petals could be seen as a reminder of something quite dangerous. I like the mixture of celebration with death or decay - but it is important that people bring their own experience to the work, that it is evocative and sensual enough to enable this to happen.
The extravagence of a pile of roses, which have their heads pulled off as an aggressive and obsessive gesture, along the lines of ‘loves me, loves me not”, is a passionate thing, but isn’t intended to be sentimental.”